Dates & Times
2:00pm
£4.00
(plus £1.50 booking fee)
Expected running time: 116 minutes
Dynamic Pricing
ARC’s policy is to set ticket prices based on demand, like budget airlines, which means we set a price when the event goes on sale and then sometimes put the price up or down depending on how the show is selling. Usually, the price will increase as we get closer to the event, so it is advantageous to book in advance, although sometimes we will put special offers on and reduce the price. Our website will always show the current ticket price.
ARC’s theatre and dance performances are priced on a Pay What You Decide basis, which means you don’t have to pay until after you have seen a show!
We want to encourage more people to come and see shows at ARC, more often. Pay What You Decide not only allows you to pay what you can afford, rather than a fixed ticket price, but also removes the financial risk of buying a ticket for a show in advance without knowing whether you are going to enjoy it or not.
Tickets are available to book in advance as usual, but there is no obligation for you to pay until after you have seen the show. You can then decide on a price which you think is suitable based on your experience, which means if you haven’t enjoyed it at all, you don’t have to pay anything.
All money collected will help ARC pay the artists who have performed, and we therefore hope you will give generously.
Please ensure you have arrived and collected your tickets 15 minutes before the show starts in order to secure your seats. At the end of the show, you can decide what to pay, either by cash on the door or by card at the Box Office.
Seating: Allocated - See Seating Plan for More Details
The screening on Tue 8 Oct at 7.30pm and Thu 10 Oct at 2pm will have descriptive subtitles. The screening on Thu 10 Oct at 2pm will be relaxed for people living with dementia.
LEE tells the story of Lee Miller, an American photographer. Determined to document the truth of the Nazi regime, and despite the odds stacked against female correspondents, Lee captured some of the most important images of World War II, for which she paid an enormous personal price.
The film is not a biopic, instead, it explores the most significant decade of Lee Miller’s life. As a middle-aged woman, she refused to be remembered as a model and male artists’ muse. Lee Miller defied the expectations and rules of the time and travelled to Europe to report from the frontline. There, in part as a reaction to her own well-hidden trauma, she used her Rolleiflex camera to give a voice to the voiceless. What Lee captured on film in Dachau and throughout Europe was shocking and horrific. Her photographs of the war, its victims and its consequences remain among the most significant and historically important of the Second World War. She changed war photography forever, but Lee paid an enormous personal price for what she witnessed and the stories she fought to tell.
‘Kate Winslet is vivid in close-up of war photographer Lee Miller’ – Financial Times
‘Kate Winslet captures Lee Miller’s indomitable spirit in this earnest wartime biopic’ – BFI
‘Kate Winslet scores her best ever role in this biopic of a Vogue model-turned WW2 photographer’ – BBC
Director – Ellen Kuras
Cast – Kate Winslet, Alexander Skarsgård
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Information about screenings with descriptive subtitles
Descriptive subtitles, sometimes referred to as subtitles for D/deaf and hard-of-hearing people or captions, transcribe dialogue and relevant aspects of the soundtrack, including music and sound effects, attempting to give D/deaf and hard-of-hearing viewers an equal experience to those who are able to watch films without descriptive subtitles. Descriptive subtitles would include speech identifiers and descriptive elements such as [door slamming] and [kettle whistling].
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Seating accessibility information
Seat size
Seats in the Cinema are 45cm (172/3“) wide and 46cm (18“) deep, are 40cm (152/3“) from the floor, and have 12cm (42/3“) between seats.
Armrests
Seats in the Cinema have armrests that do not fold away, and cannot be completely removed.
Legroom
Seats in the cinema have 30cm (112/3”) of legroom in front of seats, with additional legroom on row A and seats B1-B4 and B11-B14.
Further information
- If you have any questions about accessibility our Box Office team are always happy to help and can be contacted on 01642 525199 or by emailing [email protected] - you can also tell us about your access requirements when prompted to do so during the online booking process.
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BBFC rating information (may contain spoilers)
violence
Some brief but intense scenes of wartime violence include those in which Lee dodges bullets and explosions, as well as those in which she is briefly blown backwards by the force of a bomb blast. However, there is limited detail.
threat and horror
Following liberation from Nazi occupation, there is a scene in which a woman believed to have collaborated with the enemy undergoes enforced head shaving whilst a crowd of people hurl abuse at her.
language
The film contains strong language (‘f**k’), as well as milder terms (for example, ‘whore’, ‘shit’, ‘bullshit’, ‘balls’, ‘asshole’, ‘ass’, ‘piss’, ‘God’, ‘Jesus’, ‘Christ’, ‘damn’ and ‘hell’).
sex
A couple have noisy sex off-screen. A man smears paint over a woman’s breasts.
discrimination
There are scenes in which women are refused entry to all-male gatherings during wartime, which reflect discriminatory practices at the time. Discrimination is immediately challenged. Following his arrest, a Nazi officer approaches a black American soldier and says ‘Heil Hitler’.
drugs
A woman takes a pill, and offers one to a man who declines.
sexual violence and sexual threat
In a brief scene, a woman discovers an American soldier raping another woman. She intervenes, fights the man and threatens him with a knife. A woman tearfully tells another woman about suffering child sexual abuse. She says her mother was ashamed and told her never to reveal details of the abuse.
suicide and self-harm
US soldiers arrive in a building previously occupied by Nazis, there are references to families who have taken their lives by swallowing cyanide, and this is followed by sight of dead bodies.
injury detail
A scene set in a field hospital includes brief sight of an exposed knee stump following amputation. The scene also includes brief wound detail, bloody clothes, and sight of a man whose face is almost entirely bandaged.
nudity
There is sexualised nudity in scenes in which women expose their breasts. One of these scenes is prolonged and contains some emphasis.
disturbing images
The film includes a prolonged and harrowing sequence in which Lee and a colleague visit a Concentration camp after it has been liberated. There are brief scenes featuring naked emaciated corpses, as well as those featuring starving inmates. Lee and her colleague are traumatised by what they see. There are also brief images of real dead bodies seen in Lee’s photographs.
theme
Upsetting scenes and scenes of emotional upset during WWII include those in which a woman relates how her son was taken away and shot, as well as those relating to people being taken away on trains and not returning. People cry whilst recalling those who died during the Holocaust.