Dates & Times
Dynamic Pricing Info
ARC’s policy is to set ticket prices based on demand, like budget airlines, which means we set a price when the event goes on sale and then sometimes put the price up or down depending on how the show is selling. Usually, the price will increase as we get closer to the event, so it is advantageous to book in advance, although sometimes we will put special offers on and reduce the price. Our website will always show the current ticket price.
ARC’s theatre and dance performances are priced on a Pay What You Decide basis, which means you don’t have to pay until after you have seen a show!
We want to encourage more people to come and see shows at ARC, more often. Pay What You Decide not only allows you to pay what you can afford, rather than a fixed ticket price, but also removes the financial risk of buying a ticket for a show in advance without knowing whether you are going to enjoy it or not.
Tickets are available to book in advance as usual, but there is no obligation for you to pay until after you have seen the show. You can then decide on a price which you think is suitable based on your experience, which means if you haven’t enjoyed it at all, you don’t have to pay anything.
All money collected will help ARC pay the artists who have performed, and we therefore hope you will give generously.
Please ensure you have arrived and collected your tickets 15 minutes before the show starts in order to secure your seats. At the end of the show, you can decide what to pay, either by cash on the door or by card at the Box Office.
From shot-gun shack and cotton-field to festival main stage, the prodigious talents of Lil’ Jimmy Reed have taken him a long way from the Mississippi river. One of the last surviving performers of classic Louisiana down-home blues, Lil’ Jimmy’s stinging guitar work, gritty vocals and haunting harmonica have been taking Europe by storm. His music has won him many awards and an induction into the Blues Hall of Fame. He is accompanied by the ‘A’ Team, comprising pianist Bob Hall, widely regarded as the UK’s finest blues and boogie exponent, and diminutive dynamo Hilary Blythe on rock steady bass.
Born Leon Atkins in 1938 in a shot-gun shack in Hardwood, LA, a small cotton town on a bend in the Mississippi river, he grew up near a nightclub where blues stars Slim Harpo and Lightnin’ Slim were frequent visitors. By day he picked cotton and every night he absorbed the sounds of the blues wafting across the street. At six he had his own guitar, made from a cigar box, and by the time he was a teenager he was proficient on both guitar and harmonica, playing local clubs around Baton Rouge. His big break came when the legendary Jimmy Reed failed to make a date and Leon got to take his place in the band. He gave a show stopping performance, the crowd loved him, and when, soon after, Jimmy passed away, Leon became Lil’ Jimmy Reed.