Dynamic Pricing
ARC’s policy is to set ticket prices based on demand, like budget airlines, which means we set a price when the event goes on sale and then sometimes put the price up or down depending on how the show is selling. Usually, the price will increase as we get closer to the event, so it is advantageous to book in advance, although sometimes we will put special offers on and reduce the price. Our website will always show the current ticket price.
ARC’s theatre and dance performances are priced on a Pay What You Decide basis, which means you don’t have to pay until after you have seen a show!
We want to encourage more people to come and see shows at ARC, more often. Pay What You Decide not only allows you to pay what you can afford, rather than a fixed ticket price, but also removes the financial risk of buying a ticket for a show in advance without knowing whether you are going to enjoy it or not.
Tickets are available to book in advance as usual, but there is no obligation for you to pay until after you have seen the show. You can then decide on a price which you think is suitable based on your experience, which means if you haven’t enjoyed it at all, you don’t have to pay anything.
All money collected will help ARC pay the artists who have performed, and we therefore hope you will give generously.
Please ensure you have arrived and collected your tickets 15 minutes before the show starts in order to secure your seats. At the end of the show, you can decide what to pay, either by cash on the door or by card at the Box Office.
Seating: Allocated - See Seating Plan for More Details
In small-town Alabama in 1932, Atticus Finch (Gregory Peck) is a lawyer and a widower. He has two young children, Jem and Scout. Atticus Finch is currently defending Tom Robinson, a Black man accused of raping a white woman. Meanwhile, Jem and Scout are intrigued by their neighbours, the Radleys, in particular the mysterious, seldom-seen Boo Radley.
This is a dementia supportive screening in association with Teesside Dementia Link Services.
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What is a dementia supportive screening?
- Dementia supportive screenings in association with Teesside Dementia Link Services are designed to make the experience of attending certain screenings at ARC easier for people living with dementia.TDLS staff members will be in attendance at these screenings to support those living with dementia with ticket purchases, finding their way to their seats, and providing a welcoming environment. If you would like to attend the screenings and require an essential companion such as a support worker to attend with you, you can also take advantage of our companion ticket scheme – providing your essential companion with a free ticket to attend the screening with you.These screenings will run without reduced sound levels, and the cinema lighting will go to full dark during the film.If screenings with reduced sound and higher light levels would better meet your access requirements please see ARC’s relaxed screenings for those living with dementia on Thursday afternoons.
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Seating Accessibility Information
Cinema
Seat size
Seats in the Cinema are 45cm (172/3“) wide and 46cm (18“) deep, are 40cm (152/3“) from the floor, and have 12cm (42/3“) between seats.
Armrests
Seats in the Cinema have armrests that do not fold away, and cannot be completely removed.
Legroom
Seats in the cinema have 30cm (112/3”) of legroom in front of seats, with additional legroom on row A and seats B1-B4 and B11-B14.
Further information
If you have any questions about accessibility our Box Office team are always happy to help and can be contacted on 01642 525199 or by emailing [email protected] - you can also tell us about your access requirements when prompted to do so during the online booking process.
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BBFC Ratings Info (May Contain Spoilers)
Threat and horror
A crowd threaten to lynch someone, but are deterred before violence is committed.
Sex
A man refers to a woman kissing and holding him.
Discrimination
There is occasional use of the term ‘n****r’ by bigoted and unsympathetic characters in a historical context. Racist behaviour is clearly not condoned by the work. There is a scene in which a young boy is attacked, but the violence is undetailed. There are undetailed references to rape and allusions to child abuse.