Running Time: 2hrs 5mins with no interval
Dynamic Pricing
ARC’s policy is to set ticket prices based on demand, like budget airlines, which means we set a price when the event goes on sale and then sometimes put the price up or down depending on how the show is selling. Usually, the price will increase as we get closer to the event, so it is advantageous to book in advance, although sometimes we will put special offers on and reduce the price. Our website will always show the current ticket price.
ARC’s theatre and dance performances are priced on a Pay What You Decide basis, which means you don’t have to pay until after you have seen a show!
We want to encourage more people to come and see shows at ARC, more often. Pay What You Decide not only allows you to pay what you can afford, rather than a fixed ticket price, but also removes the financial risk of buying a ticket for a show in advance without knowing whether you are going to enjoy it or not.
Tickets are available to book in advance as usual, but there is no obligation for you to pay until after you have seen the show. You can then decide on a price which you think is suitable based on your experience, which means if you haven’t enjoyed it at all, you don’t have to pay anything.
All money collected will help ARC pay the artists who have performed, and we therefore hope you will give generously.
Please ensure you have arrived and collected your tickets 15 minutes before the show starts in order to secure your seats. At the end of the show, you can decide what to pay, either by cash on the door or by card at the Box Office.
Seating: Allocated - See Seating Plan for More Details
This screening will have descriptive subtitles and will be relaxed for people living with dementia.
Jodie Comer’s (Killing Eve) Olivier and Tony Award-winning performance in Suzie Miller’s gripping one-woman play returns to cinemas.
Tessa is a young, brilliant barrister. She has worked her way up from working class origins to be at the top of her game; defending; cross examining and winning. An unexpected event forces her to confront the lines where the patriarchal power of the law, burden of proof and morals diverge.
Prima Facie takes us to the heart of where emotion and experience collide with the rules of the game. Justin Martin directs this solo tour de force, captured live in 2022 during a sold out run at the Harold Pinter Theatre in London’s West End.
Reviews:
★★★★ ‘West End debuts don’t come more astonishing than this solo tour de force by Jodie Comer’ (Telegraph)
★★★★ ‘An extraordinarily gutsy and rich performance by JodieComer’ (Evening Standard)
★★★★ ‘An unforgettable moment of theatre’ (WhatsOnStage)
★★★★ (Guardian, Telegraph, Times, Independent, The Stage)
Director: Justin Martin
Cast: Jodie Comer
‘Includes sensitive subject matter including reference to sex, violence and rape’. There is more information about this on the Prima Facie website with links to further information and support: https://primafacieplay.com/trigger-warning/
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Access Information - Cinema
Cinema
Seat size
Seats in the Cinema are 45cm (172/3“) wide and 46cm (18“) deep, are 40cm (152/3“) from the floor, and have 12cm (42/3“) between seats.
Armrests
Seats in the Cinema have armrests that do not fold away, and cannot be completely removed.
Legroom
Seats in the cinema have 30cm (112/3”) of legroom in front of seats, with additional legroom on row A and seats B1-B4 and B11-B14.
Further information
If you have any questions about accessibility our Box Office team are always happy to help and can be contacted on 01642 525199 or by emailing [email protected] - you can also tell us about your access requirements when prompted to do so during the online booking process.
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Companion Ticket Scheme
A free ticket is available to a companion accompanying a disabled person to an event, where it is an access requirement. To book a companion ticket or accessible seating as part of your order please contact the Box Office team on 01642 525199 or email [email protected]
You can tell us about any other access requirements you have at the time of booking.
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Information about screenings with descriptive subtitles
Descriptive subtitles, sometimes referred to as subtitles for D/deaf and hard-of-hearing people or captions, transcribe dialogue and relevant aspects of the soundtrack, including music and sound effects, attempting to give D/deaf and hard-of-hearing viewers an equal experience to those who are able to watch films without descriptive subtitles. Descriptive subtitles would include speech identifiers and descriptive elements such as [door slamming] and [kettle whistling].
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Information about relaxed screenings
We offer a number of daytime cinema screenings designed to make trips to ARC a more relaxed experience for learning disabled people, people with autism and people with sensory or neurological conditions
Relaxed performances have a number of distinguishing features:
- Lower volume levels
- No foyer music
- Consistent lighting with auditorium lights on throughout
- There is a relaxed attitude to noise and moving around the auditorium
- You can reserve extra seats if you need space to be comfortable
- If you prefer not to queue please let us know when booking
- We can provide a chill out space should you need a break.
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BBFC Rating Information (May Contain Spoilers)
Language
There is the use of strong language (‘f**k’) and milder terms (‘slut’, ‘shit’, ‘bastard’, ‘crap’, ‘bloody’, ‘friggin’, ‘damn’, ‘God’).
Sexual Violence and Sexual Threat
There is a scene of sexual violence in which a female character reenacts the night she was raped by a male colleague. This includes a focus on her distress, and helplessness and a detailed description of the attacker restraining her arms and covering her mouth. The details of the assault are repeated in subsequent scenes when the character reports the rape to the police and is cross-examined by a criminal defense barrister.There are moderate sex references, a scene of threat in which a traumatised sexual assault survivor is accosted by her attacker in the workplace, and moments of emotional upset
