Dynamic Pricing
ARC’s policy is to set ticket prices based on demand, like budget airlines, which means we set a price when the event goes on sale and then sometimes put the price up or down depending on how the show is selling. Usually, the price will increase as we get closer to the event, so it is advantageous to book in advance, although sometimes we will put special offers on and reduce the price. Our website will always show the current ticket price.
ARC’s theatre and dance performances are priced on a Pay What You Decide basis, which means you don’t have to pay until after you have seen a show!
We want to encourage more people to come and see shows at ARC, more often. Pay What You Decide not only allows you to pay what you can afford, rather than a fixed ticket price, but also removes the financial risk of buying a ticket for a show in advance without knowing whether you are going to enjoy it or not.
Tickets are available to book in advance as usual, but there is no obligation for you to pay until after you have seen the show. You can then decide on a price which you think is suitable based on your experience, which means if you haven’t enjoyed it at all, you don’t have to pay anything.
All money collected will help ARC pay the artists who have performed, and we therefore hope you will give generously.
Please ensure you have arrived and collected your tickets 15 minutes before the show starts in order to secure your seats. At the end of the show, you can decide what to pay, either by cash on the door or by card at the Box Office.
In a remote Estonian village, three children from the city are forced to spend the summer on their grandfather’s farm. Determined to make them see the simple beauty of country living, he sets them to work, only to have the little scumbags accidentally set loose his prized and thoroughly mistreated cow. Now they have only 24 hours to find and milk the rogue bovine before its exponentially expanding udders explode and unleash the Lactopalypse.
In Estonian with English subtitles.
Directors
Mikk Mägi, Oskar Lehemaa
Cast
Märt Avandi, Jaagup Kreem, Jan Uuspõld, Oskar Lehemaa, Mikk Mägi
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Seating Accessibility Information
Cinema
Seat size
Seats in the Cinema are 45cm (172/3“) wide and 46cm (18“) deep, are 40cm (152/3“) from the floor, and have 12cm (42/3“) between seats.
Armrests
Seats in the Cinema have armrests that do not fold away, and cannot be completely removed.
Legroom
Seats in the cinema have 30cm (112/3”) of legroom in front of seats, with additional legroom on row A and seats B1-B4 and B11-B14.
Further information
If you have any questions about accessibility our Box Office team are always happy to help and can be contacted on 01642 525199 or by emailing [email protected] - you can also tell us about your access requirements when prompted to do so during the online booking process.
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Information about screenings with subtitles
Subtitled screenings offer captions which transcribe dialogue only. Subtitled screenings attempt to give D/deaf and hard-of-hearing viewers an understanding of the spoken dialogue within the film, but do not include description about other aspects of the soundtrack, including music and sound effects.
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BBFC Ratings Info (May Contain Spoilers)
language
There is use of strong language (‘f**k’), as well as milder terms (‘dick’, ‘shit’, ‘cock’, ‘ass’, ‘hell’, ‘God’).
rude humour
There is frequent crude humour, including allusions to masturbation when a man is milking a cow. Sounds of flatulence, images of animal faeces, milk and bodily fluids are used for comic effect or innuendo throughout the film. It is implied that a sentient tree is receiving sexual pleasure from vehicles driving into and reversing out of a large hole in its trunk. There is a brief, undetailed reference to bondage.
A man is briefly seen using a bong. A man is impaled on a cow’s horn, and when he is removed, a comically large and unrealistic blood spurt erupts from his wound. There are moments of mild horror, and scenes of threat in which characters are briefly in danger from wild animals and fantastical robots. Characters force a man to the ground and it is implied they beat him with their fists, however the context is comic, and the violence is undetailed and stylised.