Run time – 77 minutes
Dynamic Pricing
ARC’s policy is to set ticket prices based on demand, like budget airlines, which means we set a price when the event goes on sale and then sometimes put the price up or down depending on how the show is selling. Usually, the price will increase as we get closer to the event, so it is advantageous to book in advance, although sometimes we will put special offers on and reduce the price. Our website will always show the current ticket price.
ARC’s theatre and dance performances are priced on a Pay What You Decide basis, which means you don’t have to pay until after you have seen a show!
We want to encourage more people to come and see shows at ARC, more often. Pay What You Decide not only allows you to pay what you can afford, rather than a fixed ticket price, but also removes the financial risk of buying a ticket for a show in advance without knowing whether you are going to enjoy it or not.
Tickets are available to book in advance as usual, but there is no obligation for you to pay until after you have seen the show. You can then decide on a price which you think is suitable based on your experience, which means if you haven’t enjoyed it at all, you don’t have to pay anything.
All money collected will help ARC pay the artists who have performed, and we therefore hope you will give generously.
Please ensure you have arrived and collected your tickets 15 minutes before the show starts in order to secure your seats. At the end of the show, you can decide what to pay, either by cash on the door or by card at the Box Office.
Seating: Allocated - See Seating Plan for More Details
The screening on Wed 22 May at 2pm will be a captioned screening with descriptive subtitles.
Inspired by the fly-on-the-wall style of DA Pennebaker’s Bob Dylan documentary Don’t Look Back, director Murray Grigor presents the legendary Billy Connolly at his beguiling best, using humour and charm to successfully navigate the political tensions of 1970s Dublin and Belfast.
Featuring iconic stand-up material alongside fascinating behind-the-scenes glimpses, this previously elusive milestone of British comedy is now newly restored in 2K from original 16mm materials.
‘How Billy Connolly’s genius shone in the dark days of The Troubles’ – Mail Online
‘Much of the comedy in the film is improvised, onstage and off, and the joy is watching Connolly early in his stand-up career’ – BBC
Director – Murray Grigor
Cast – Billy Connolly
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Information about screenings with descriptive subtitles
Descriptive subtitles, sometimes referred to as subtitles for D/deaf and hard-of-hearing people or captions, transcribe dialogue and relevant aspects of the soundtrack, including music and sound effects, attempting to give D/deaf and hard-of-hearing viewers an equal experience to those who are able to watch films without descriptive subtitles. Descriptive subtitles would include speech identifiers and descriptive elements such as [door slamming] and [kettle whistling].
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Seating accessibility information
Cinema
Seat size
Seats in the Cinema are 45cm (172/3“) wide and 46cm (18“) deep, are 40cm (152/3“) from the floor, and have 12cm (42/3“) between seats.
Armrests
Seats in the Cinema have armrests that do not fold away, and cannot be completely removed.
Legroom
Seats in the cinema have 30cm (112/3”) of legroom in front of seats, with additional legroom on row A and seats B1-B4 and B11-B14.
Further information
If you have any questions about accessibility our Box Office team are always happy to help and can be contacted on 01642 525199 or by emailing [email protected] - you can also tell us about your access requirements when prompted to do so during the online booking process.
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BBFC rating information (may contain spoilers)
Violence
Verbal references are made to historic violence occurring in Northern Ireland, including bombings and killings, however there is no visual detail.
Language
There is infrequent use of strong language (‘f**k’), as well as use of milder terms including ‘bloody’, ‘bastard’, ‘arse’, ‘tits’, ‘hell’ and ‘God’.
Sex
There are implied references to sex and innuendo during a humorous song performance, as well as jokes about condoms in a comic skit.
Drugs
There are references to drugs in a comic skit about inappropriate material in children’s television programmes.
Rude humour
Rude humour includes jokes about genitals, flatulence, urination and nose picking.
Alcohol and tobacco
A man pretends to be drunk for comic effect. People are seen smoking.
