Dynamic Pricing Info
Dynamic Pricing
ARC’s policy is to set ticket prices based on demand, like budget airlines, which means we set a price when the event goes on sale and then sometimes put the price up or down depending on how the show is selling. Usually, the price will increase as we get closer to the event, so it is advantageous to book in advance, although sometimes we will put special offers on and reduce the price. Our website will always show the current ticket price.
ARC’s theatre and dance performances are priced on a Pay What You Decide basis, which means you don’t have to pay until after you have seen a show!
We want to encourage more people to come and see shows at ARC, more often. Pay What You Decide not only allows you to pay what you can afford, rather than a fixed ticket price, but also removes the financial risk of buying a ticket for a show in advance without knowing whether you are going to enjoy it or not.
Tickets are available to book in advance as usual, but there is no obligation for you to pay until after you have seen the show. You can then decide on a price which you think is suitable based on your experience, which means if you haven’t enjoyed it at all, you don’t have to pay anything.
All money collected will help ARC pay the artists who have performed, and we therefore hope you will give generously.
Please ensure you have arrived and collected your tickets 15 minutes before the show starts in order to secure your seats. At the end of the show, you can decide what to pay, either by cash on the door or by card at the Box Office.
This is the story behind those songs, the hits, the misses and the demos that the group never released: ‘The Songs The Beatles Gave Away’
BBC’s Bob Harris and author/music journalist Colin Hall set out on an intimate speaking tour based around their mutual love and appreciation of The Beatles, including previously unseen footage from Bob Harris’ archive with Lennon & McCartney.
By 1963 the pair had written so many songs they simply couldn’t all be accommodated on just their own Beatles releases, so it made artistic and economic good sense to be offered to other artists for recording and the Merseybeat boom of 1963 & 1964 gave them a tailor-made outlet in artists such as Cilla Black, Billy J. Kramer and Tommy Quickly.
‘Bob Harris is a straight-up legend’ Chris Martin from Coldplay
‘a national treasure’ The Mail On Sunday
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The Point - Access Information
Seat size
In The Point, seats in rows A-GG are 36cm (14“) wide and 39cm (151/3“) deep. They are 41cm from the floor (16″) wide and 44.5cm (171/2”) deep. The seats are 44cm (171/3”) from the floor, and have a 10cm (4”) gap between seats.Seats in rows H and W are stools, are 36cm (14“) wide and 40cm (152/3“) deep. They are 76cm (30“) from the floor, and have a 25cm (93/4”) gap between seats. The stools also feature a footrest 42cm (161/2”) from the floor.
Seats in rows K-V and Box 1are 42cm (161/2 “) wide and 45cm (172/3“) deep, 47 cm (181/2“) from the floor, and have 6cm (21/3“) gap between seats.
Seats in Box 2 are 36cm (14“) wide and 39cm (151/3“) deep, 41 cm (16“) from the floor, and have 10cm (4“) gap between seats. These are loose removable chairs.
Armrests
Seats in The Point do not have armrests.Legroom
Seat in rows A-GG have 20cm (73/4“) of legroom in front of each seat, with restricted legroom in rows A-D.Seats in rows H and W are stools and have 35cm (14“) of legroom.
Seats in rows K-V have 20cm (73/4“) of legroom in front of each seat, with restricted legroom in the aisle seats. Seats in row S also have a vertical backrest.
Seats in Box 2 have 50cm (192/3”) of legroom in front of the seats.
Further information
If you have any questions about accessibility our Box Office team are always happy to help and can be contacted on 01642 525199 or by emailing [email protected] - you can also tell us about your access requirements when prompted to do so during the online booking process.
