Dates & Times
Running time: 180 minutes including interval
Dynamic Pricing
ARC’s policy is to set ticket prices based on demand, like budget airlines, which means we set a price when the event goes on sale and then sometimes put the price up or down depending on how the show is selling. Usually, the price will increase as we get closer to the event, so it is advantageous to book in advance, although sometimes we will put special offers on and reduce the price. Our website will always show the current ticket price.
ARC’s theatre and dance performances are priced on a Pay What You Decide basis, which means you don’t have to pay until after you have seen a show!
We want to encourage more people to come and see shows at ARC, more often. Pay What You Decide not only allows you to pay what you can afford, rather than a fixed ticket price, but also removes the financial risk of buying a ticket for a show in advance without knowing whether you are going to enjoy it or not.
Tickets are available to book in advance as usual, but there is no obligation for you to pay until after you have seen the show. You can then decide on a price which you think is suitable based on your experience, which means if you haven’t enjoyed it at all, you don’t have to pay anything.
All money collected will help ARC pay the artists who have performed, and we therefore hope you will give generously.
Please ensure you have arrived and collected your tickets 15 minutes before the show starts in order to secure your seats. At the end of the show, you can decide what to pay, either by cash on the door or by card at the Box Office.
Seating: Allocated - See Seating Plan for More Details
The screening on Sat 20 Jul at 2pm will have descriptive subtitles.
The multi-award-winning production of Noël Coward’s provocative comedy featuring Andrew Scott (Vanya, Fleabag) returns to the big screen. As he prepares to embark on an overseas tour, star actor Garry Essendine’s colourful life is in danger of spiralling out of control. Engulfed by an escalating identity crisis as his many and various relationships compete for his attention, Garry’s few remaining days at home are a chaotic whirlwind of love, sex, panic, and soul-searching. Filmed live from The Old Vic in London during a sold-out run in 2019, Matthew Warchus (Matilda The Musical) directs this giddy and surprisingly modern reflection on fame, desire, and loneliness.
‘Andrew Scott is wondrous in this revelatory refresh of Noël Coward’s classic comedy’ – ★★★★★ Time Out
‘Andrew Scott’s revelatory performance shows why Noël Coward is hailed a genius’ – ★★★★★ Telegraph
‘The show belongs to Scott’ – ★★★★★ Times
‘Illuminating and luminously funny’ – ★★★★★ WhatsOnStage
Director: Matthew Warchus
Cast: Andrew Scott, Sophie Thompson, Indira Varma, Kitty Archer, Enzo Cilenti
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Information about descriptive subtitles
Descriptive subtitles, sometimes referred to as subtitles for D/deaf and hard-of-hearing people or captions, transcribe dialogue and relevant aspects of the soundtrack, including music and sound effects, attempting to give D/deaf and hard-of-hearing viewers an equal experience to those who are able to watch films without descriptive subtitles. Descriptive subtitles would include speech identifiers and descriptive elements such as [door slamming] and [kettle whistling].
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Seating accessibility information
Cinema
Seat size
Seats in the Cinema are 45cm (172/3“) wide and 46cm (18“) deep, are 40cm (152/3“) from the floor, and have 12cm (42/3“) between seats.
Armrests
Seats in the Cinema have armrests that do not fold away, and cannot be completely removed.
Legroom
Seats in the cinema have 30cm (112/3”) of legroom in front of seats, with additional legroom on row A and seats B1-B4 and B11-B14.
Further information
If you have any questions about accessibility our Box Office team are always happy to help and can be contacted on 01642 525199 or by emailing [email protected] - you can also tell us about your access requirements when prompted to do so during the online booking process.
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BBFC rating information (may contain spoilers)
Language
There is mild bad language (‘bloody’, ‘bastard’).
Sex
There is a passing reference to a prostitute and a man complaining that his wife has been unfaithful “at least eleven times”.There is a scene in which a man is slapped in the face. There are passing, undetailed suicide references.
Edward Scissorhands: Matthew Bourne’s Dance Version of Tim Burton’s Classic (U)
From: Wed 25 Sep 2024