Running time – 163 minutes including an interval
Dynamic Pricing
ARC’s policy is to set ticket prices based on demand, like budget airlines, which means we set a price when the event goes on sale and then sometimes put the price up or down depending on how the show is selling. Usually, the price will increase as we get closer to the event, so it is advantageous to book in advance, although sometimes we will put special offers on and reduce the price. Our website will always show the current ticket price.
ARC’s theatre and dance performances are priced on a Pay What You Decide basis, which means you don’t have to pay until after you have seen a show!
We want to encourage more people to come and see shows at ARC, more often. Pay What You Decide not only allows you to pay what you can afford, rather than a fixed ticket price, but also removes the financial risk of buying a ticket for a show in advance without knowing whether you are going to enjoy it or not.
Tickets are available to book in advance as usual, but there is no obligation for you to pay until after you have seen the show. You can then decide on a price which you think is suitable based on your experience, which means if you haven’t enjoyed it at all, you don’t have to pay anything.
All money collected will help ARC pay the artists who have performed, and we therefore hope you will give generously.
Please ensure you have arrived and collected your tickets 15 minutes before the show starts in order to secure your seats. At the end of the show, you can decide what to pay, either by cash on the door or by card at the Box Office.
Seating: Allocated - See Seating Plan for More Details
The screening on Thu 23 Nov at 2pm will have Descriptive Subtitles and relaxed for people living with dementia.
Returning to the big screen after nearly ten years, Bill Nighy (Living) and Carey Mulligan (Promising Young Woman) feature in the critically acclaimed revival of David Hare’s play, directed by Stephen Daldry (The Audience).
On a bitterly cold London evening, schoolteacher Kyra receives an unexpected visit from her former lover. As the evening progresses, the two attempt to rekindle their once passionate relationship only to find themselves locked in a dangerous battle of opposing ideologies and mutual desires.
Captured live from Wyndham’s Theatre in London’s West End in 2014.
‘a knockout’ Telegraph ★★★★★
‘Five stars – Bill Nighy and Carey Mulligan are superb’ Evening Standard ★★★★★
‘Hare’s play hits you straight between the eyes with its mixture of private pain and public rage’ Guardian ★★★★★
Director: Stephen Daldry
Cast: Carey Mulligan, Bill Nighy, Matthew Beard
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Information about screenings with descriptive subtitles
Descriptive subtitles, sometimes referred to as subtitles for D/deaf and hard-of-hearing people or captions, transcribe dialogue and relevant aspects of the soundtrack, including music and sound effects, attempting to give D/deaf and hard-of-hearing viewers an equal experience to those who are able to watch films without descriptive subtitles. Descriptive subtitles would include speech identifiers and descriptive elements such as [door slamming] and [kettle whistling].
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Seating accessibility information
Cinema seat size
Seats in the Cinema are 45cm (172/3“) wide and 46cm (18“) deep, are 40cm (152/3“) from the floor, and have 12cm (42/3“) between seats.Armrests
Seats in the Cinema have armrests that do not fold away, and cannot be completely removed.
Legroom
Seats in the cinema have 30cm (112/3”) of legroom in front of seats, with additional legroom on row A and seats B1-B4 and B11-B14.
Further information
If you have any questions about accessibility our Box Office team are always happy to help and can be contacted on 01642 525199 or by emailing [email protected] - you can also tell us about your access requirements when prompted to do so during the online booking process.
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BBFC Rating information (may contain spoilers)
Language
There are over 40 uses of strong language (‘f**k’), as well as one use of very strong language (‘c**t’), which is not aggressive and occurs in the context of reported speech. Milder terms include ‘prick’, ‘wanker’, and ‘bastard’.The film also contains mild sex references and some moderate threat in a clip from a stage production of ‘Frankenstein’.
