Dynamic Pricing
ARC’s policy is to set ticket prices based on demand, like budget airlines, which means we set a price when the event goes on sale and then sometimes put the price up or down depending on how the show is selling. Usually, the price will increase as we get closer to the event, so it is advantageous to book in advance, although sometimes we will put special offers on and reduce the price. Our website will always show the current ticket price.
ARC’s theatre and dance performances are priced on a Pay What You Decide basis, which means you don’t have to pay until after you have seen a show!
We want to encourage more people to come and see shows at ARC, more often. Pay What You Decide not only allows you to pay what you can afford, rather than a fixed ticket price, but also removes the financial risk of buying a ticket for a show in advance without knowing whether you are going to enjoy it or not.
Tickets are available to book in advance as usual, but there is no obligation for you to pay until after you have seen the show. You can then decide on a price which you think is suitable based on your experience, which means if you haven’t enjoyed it at all, you don’t have to pay anything.
All money collected will help ARC pay the artists who have performed, and we therefore hope you will give generously.
Please ensure you have arrived and collected your tickets 15 minutes before the show starts in order to secure your seats. At the end of the show, you can decide what to pay, either by cash on the door or by card at the Box Office.
Seating: Allocated - See Seating Plan for More Details
The Book of Dust – La Belle Sauvage
by Philip Pullman, adapted by Bryony Lavery
directed by Nicholas Hytner
Set twelve years before the epic His Dark Materials trilogy, this gripping adaptation revisits Philip Pullman’s fantastical world in which waters are rising and storms are brewing.
Two young people and their dæmons, with everything at stake, find themselves at the centre of a terrifying manhunt. In their care is a tiny child called Lyra Belacqua, and in that child lies the fate of the future. And as the waters rise around them, powerful adversaries conspire for mastery of Dust: salvation to some, the source of infinite corruption to others.
Eighteen years after his ground breaking production of His Dark Materials at the National Theatre, director Nicholas Hytner returns to Pullman’s parallel universe. Broadcast live from London’s Bridge Theatre.
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BBFC Ratings Information
language
There is infrequent strong language (‘f**k’), accompanied by other milder terms (‘bitch’, bastard’, ‘shit’, ‘sod’, ‘bloody’, ‘Christ’, ‘hell’ and ‘damn’).
sexual violence and sexual threat
A man forces threatens to rape a woman. There are also further verbal references to a man grooming girls and young women. A man grabs a young woman’s backside while she serves him a drink. Such behaviour is clearly disapproved of.
threat and horror
There are scenes of gun and knife threat. This includes people being abducted, threatened with physical violence in exchange for information, and escaping a crumbling building during a flood.
violence
Scenes include bloodless shootings and beatings.
