Running time: 89 minutes
Dynamic Pricing
ARC’s policy is to set ticket prices based on demand, like budget airlines, which means we set a price when the event goes on sale and then sometimes put the price up or down depending on how the show is selling. Usually, the price will increase as we get closer to the event, so it is advantageous to book in advance, although sometimes we will put special offers on and reduce the price. Our website will always show the current ticket price.
ARC’s theatre and dance performances are priced on a Pay What You Decide basis, which means you don’t have to pay until after you have seen a show!
We want to encourage more people to come and see shows at ARC, more often. Pay What You Decide not only allows you to pay what you can afford, rather than a fixed ticket price, but also removes the financial risk of buying a ticket for a show in advance without knowing whether you are going to enjoy it or not.
Tickets are available to book in advance as usual, but there is no obligation for you to pay until after you have seen the show. You can then decide on a price which you think is suitable based on your experience, which means if you haven’t enjoyed it at all, you don’t have to pay anything.
All money collected will help ARC pay the artists who have performed, and we therefore hope you will give generously.
Please ensure you have arrived and collected your tickets 15 minutes before the show starts in order to secure your seats. At the end of the show, you can decide what to pay, either by cash on the door or by card at the Box Office.
Seating: Allocated - See Seating Plan for More Details
The screening on Thu 18 Apr at 2pm will be relaxed for people living with dementia.
A human rights activist is prosecuted under terror laws for refusing to hand over the passwords to his electronic devices during a border stop, unveiling unsettling questions about modern espionage and digital privacy.
Muhammad Rabbani is the Director of CAGE, a human rights organisation that fights discrimination in the so-called ‘War On Terror’. He travels around the world and is trusted with highly sensitive personal information by people in vulnerable situations. On one occasion, while returning to the UK from an overseas trip, he was stopped at the border and threatened with imprisonment if he didn’t hand over the passwords to his electronic devices. He refused. Phantom Parrot reveals a covert form of surveillance involving collaboration between the tech industry, police, and security services. With insight provided by people who work with these technologies, this film is a must-see for anyone who cares about civil liberties in the digital age.
‘cautionary tale of state surveillance and the war on privacy’ – ★★★★ The Guardian
‘Phantom Parrot’ Examines U.K.’s Intrusive Data-Collecting Policy Targeting Activists, Journalists’ – Variety
Director – Kate Stonehill
