Expected running time: 94 minutes
Dynamic Pricing
ARC’s policy is to set ticket prices based on demand, like budget airlines, which means we set a price when the event goes on sale and then sometimes put the price up or down depending on how the show is selling. Usually, the price will increase as we get closer to the event, so it is advantageous to book in advance, although sometimes we will put special offers on and reduce the price. Our website will always show the current ticket price.
ARC’s theatre and dance performances are priced on a Pay What You Decide basis, which means you don’t have to pay until after you have seen a show!
We want to encourage more people to come and see shows at ARC, more often. Pay What You Decide not only allows you to pay what you can afford, rather than a fixed ticket price, but also removes the financial risk of buying a ticket for a show in advance without knowing whether you are going to enjoy it or not.
Tickets are available to book in advance as usual, but there is no obligation for you to pay until after you have seen the show. You can then decide on a price which you think is suitable based on your experience, which means if you haven’t enjoyed it at all, you don’t have to pay anything.
All money collected will help ARC pay the artists who have performed, and we therefore hope you will give generously.
Please ensure you have arrived and collected your tickets 15 minutes before the show starts in order to secure your seats. At the end of the show, you can decide what to pay, either by cash on the door or by card at the Box Office.
Seating: Allocated - See Seating Plan for More Details
In Korean with English subtitles. The screening on Thu 15 Aug at 2pm will be relaxed for people living with dementia.
What if the place you thought was safest suddenly became a battleground for your sanity?
Young couple Hyun-su and Soo-jin are about to become new parents when, one night, heavily pregnant Soo-jin wakes up from a deep slumber to her husband’s first act of parasomnia. Debut director Jason Yu brings audiences a clever, well-crafted and genre-bending thriller.
‘Sleepwalking turns a cosy apartment into a death trap in this gripping K-horror’ – ★★★★ Time Out
‘A Riotous Mash-Up of Black Comedy, Body Horror, and Relationship Drama’ – IndieWire
‘an unnerving investigation into the fragility of marital trust’ – BFI
Debut director Jason Yu, who was once the assistant director for Academy Award-winning Bong Joon Ho, brings audiences a clever, well-crafted, and genre-bending thriller that rachets up a creeping horror towards its fantastically bonkers finale.
Director – Jason Yu
Cast – Lee Sun-kyun, Jung Yu-mi
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Information about screenings with subtitles
Subtitled screenings offer captions which transcribe dialogue only. Subtitled screenings attempt to give D/deaf and hard-of-hearing viewers an understanding of the spoken dialogue within the film, but do not include description about other aspects of the soundtrack, including music and sound effects.
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Seating Accessibility Information
Cinema
Seat size
Seats in the Cinema are 45cm (172/3“) wide and 46cm (18“) deep, are 40cm (152/3“) from the floor, and have 12cm (42/3“) between seats.
Armrests
Seats in the Cinema have armrests that do not fold away, and cannot be completely removed.
Legroom
Seats in the cinema have 30cm (112/3”) of legroom in front of seats, with additional legroom on row A and seats B1-B4 and B11-B14.
Further information
If you have any questions about accessibility our Box Office team are always happy to help and can be contacted on 01642 525199 or by emailing [email protected] - you can also tell us about your access requirements when prompted to do so during the online booking process.
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BBFC rating information (may contain spoilers)
Violence
A person briefly drills into a woman’s head, accompanied by blood in the aftermath. A character slices another’s skin with a blade, revealing blood.
Threat and horror
There are occasional sustained scenes of horror and threat in which a mother and her baby are stalked at night by the woman’s husband, who is seemingly possessed by an evil spirit. There are jump scares and unsettling off-screen sounds. A possessed man attempts to climb out of an upper floor window; however, his wife restrains him. A dead dog is discovered inside a fridge, but there is limited visual detail. Following a scene of threat, an adult character urinates onto the floor unnervingly. There are also exorcism scenes in which a shaman attempts to dispel a supernatural entity.
Language
Infrequent strong language (‘f**k’) occurs, as well as milder terms (‘bitch’, ‘crap’, ‘screw’, ‘Jesus’, ‘damn’, ‘hell’).
Sex
There is a brief verbal masturbation reference in a scene in which a person refers to an animal in heat.
Drugs
A character pushes a couple of sleeping pills into a sleeping person’s mouth.
Injury detail
A sleeping character scratches their face until it becomes heavily cut and bloodied. There are photos of heavily scratched and bleeding people. A character discovers a healed branding scar on their back. Following a scene of violence, there is brief close-up sight of a bloody head wound. A person follows a trail of blood to a larger smear of blood.
Nudity
There is brief sight of non-sexual male buttock nudity during an exorcism ritual.
Theme
There are mental health references, including to a person committed to a mental hospital. She subsequently refers to the institution as a ‘loony bin’. There are also scenes of emotional upset in which distressed characters cry.
