Dynamic Pricing
ARC’s policy is to set ticket prices based on demand, like budget airlines, which means we set a price when the event goes on sale and then sometimes put the price up or down depending on how the show is selling. Usually, the price will increase as we get closer to the event, so it is advantageous to book in advance, although sometimes we will put special offers on and reduce the price. Our website will always show the current ticket price.
ARC’s theatre and dance performances are priced on a Pay What You Decide basis, which means you don’t have to pay until after you have seen a show!
We want to encourage more people to come and see shows at ARC, more often. Pay What You Decide not only allows you to pay what you can afford, rather than a fixed ticket price, but also removes the financial risk of buying a ticket for a show in advance without knowing whether you are going to enjoy it or not.
Tickets are available to book in advance as usual, but there is no obligation for you to pay until after you have seen the show. You can then decide on a price which you think is suitable based on your experience, which means if you haven’t enjoyed it at all, you don’t have to pay anything.
All money collected will help ARC pay the artists who have performed, and we therefore hope you will give generously.
Please ensure you have arrived and collected your tickets 15 minutes before the show starts in order to secure your seats. At the end of the show, you can decide what to pay, either by cash on the door or by card at the Box Office.
Seating: Allocated - See Seating Plan for More Details
The screening on Thu 4 Jul at 2pm & 7.30pm will have descriptive subtitles. The screening on Thu 4 Jul at 2pm will be relaxed for people living with dementia.
In a frontier town run by corrupt forces, fiercely independent Vivienne Le Coudy embarks on a relationship with the passionate, hard-working Holger Olsen, but it’s one that leads to danger for them both.
With the threat of the Civil War looming, their future becomes uncertain when Holger decides to fight for the Union, leaving Vivienne on her own to face the dangerous threats of the corrupt mayor, the power-hungry ranch owner and the rancher’s violent son. A new western about love and survival that is both epic and intimate.
‘Vicky Krieps and Viggo Mortensen make a convincing and engaging couple’ – ★★★ Empire
‘It’s a film that reflects the personality and creative approach of its director’ – ★★★★ The Guardian
‘The historical scenario of The Dead Don’t Hurt is transparently concerned with the same divisions of race, class and sex that polarise America today.’ – British Film Institute
Director – Viggo Mortensen
Cast – Viggo Mortensen, Vicky Krieps, Solly McLeod, Jason Clarke, Tom Bateman
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Information about screening with descriptive subtitles
Descriptive subtitles, sometimes referred to as subtitles for D/deaf and hard-of-hearing people or captions, transcribe dialogue and relevant aspects of the soundtrack, including music and sound effects, attempting to give D/deaf and hard-of-hearing viewers an equal experience to those who are able to watch films without descriptive subtitles. Descriptive subtitles would include speech identifiers and descriptive elements such as [door slamming] and [kettle whistling].
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Seating accessibility information
Cinema
Seat size
Seats in the Cinema are 45cm (172/3“) wide and 46cm (18“) deep, are 40cm (152/3“) from the floor, and have 12cm (42/3“) between seats.
Armrests
Seats in the Cinema have armrests that do not fold away, and cannot be completely removed.
Legroom
Seats in the cinema have 30cm (112/3”) of legroom in front of seats, with additional legroom on row A and seats B1-B4 and B11-B14.
Further information
If you have any questions about accessibility our Box Office team are always happy to help and can be contacted on 01642 525199 or by emailing [email protected] - you can also tell us about your access requirements when prompted to do so during the online booking process.
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BBFC rating information (may contain spoilers)
Violence
There is a strong scene depicting execution by hanging. A person is struck in the neck by a throwing knife, and others are beaten or shot, occasionally resulting in bloody detail.
Threat and horror
The film features occasional moderate threat, including gun threat.
Language
There is infrequent use of strong language (‘f**k’). Milder terms include ‘bitch’, ‘son of a bitch’, ‘shit’, ‘bullshit’, ‘bastard’ and ‘ass’.
Sex
A couple briefly fondle each other’s crotches beneath their clothing, without strong visual detail.
Discrimination
There are infrequent scenes in which unlikeable white characters make racist comments about Latino and Indigenous people. The film implicitly condemns racist attitudes and behaviour.
Sexual violence and sexual threat
A man forces his way into a woman’s home at night and attacks her, briefly strangling her before knocking her unconscious. Though the scene ends there, it is implied that he rapes her off screen, resulting in pregnancy.
Injury detail
Moderate bloody images include sight of blood streaming from a man’s mouth in the aftermath of a beating. A dead body is discovered hanging from a noose following an off-screen killing.
Nudity
There is brief natural breast nudity as a woman bathes, as well as infant rear nudity as she washes her child.
Theme
There are mild upsetting scenes of illness, death and bereavement.