Running time – 1hr 53 min
Dynamic Pricing
ARC’s policy is to set ticket prices based on demand, like budget airlines, which means we set a price when the event goes on sale and then sometimes put the price up or down depending on how the show is selling. Usually, the price will increase as we get closer to the event, so it is advantageous to book in advance, although sometimes we will put special offers on and reduce the price. Our website will always show the current ticket price.
ARC’s theatre and dance performances are priced on a Pay What You Decide basis, which means you don’t have to pay until after you have seen a show!
We want to encourage more people to come and see shows at ARC, more often. Pay What You Decide not only allows you to pay what you can afford, rather than a fixed ticket price, but also removes the financial risk of buying a ticket for a show in advance without knowing whether you are going to enjoy it or not.
Tickets are available to book in advance as usual, but there is no obligation for you to pay until after you have seen the show. You can then decide on a price which you think is suitable based on your experience, which means if you haven’t enjoyed it at all, you don’t have to pay anything.
All money collected will help ARC pay the artists who have performed, and we therefore hope you will give generously.
Please ensure you have arrived and collected your tickets 15 minutes before the show starts in order to secure your seats. At the end of the show, you can decide what to pay, either by cash on the door or by card at the Box Office.
Seating: Allocated - See Seating Plan for More Details
This intimate portrait reveals the story of an unapologetic rock ‘n’ roller, actress, muse, and mother who rose to prominence in the 1960s and 1970s. Drawing on words from her unpublished memoir, narrated by actress Scarlett Johansson, Anita draws us deep into her world, with the help of a supporting cast that includes her family – Marlon, Angela, and their father Keith Richards.
Never-seen-before home movies and family photographs explore life with the Rolling Stones, in a bittersweet tale of both triumph and heartbreak. From Barbarella to the Swiss Alps, and the Lower East Side of New York, Anita Pallenberg was a woman ahead of her time.
‘riveting’ – ★★★★ Financial Times
‘captivating’ – ★★★★ Time Out
‘rock-n-roll ‘muse’ in the spotlight’ – ★★★★ The Guardian
‘A nuanced story about an inspiring and troubled woman’ – Vogue
‘As filmmakers, Zill and Bloom want to celebrate everything that made Anita Pallenberg a feminine force ahead of her time’ – Variety
Director(s) – Alexis Bloom, Svetlana Zill
Narrated by – Scarlett Johansson
Check out directors Alexis Bloom and Svetlana Zill chatting about the making of Catching Fire: The Story of Anita Pallenberg
Listen to Catching Fire: The Story of Anita Pallenberg playlist on Spotify
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Seating accessibility information
Cinema
Seat size
Seats in the Cinema are 45cm (172/3“) wide and 46cm (18“) deep, are 40cm (152/3“) from the floor, and have 12cm (42/3“) between seats.
Armrests
Seats in the Cinema have armrests that do not fold away, and cannot be completely removed.
Legroom
Seats in the cinema have 30cm (112/3”) of legroom in front of seats, with additional legroom on row A and seats B1-B4 and B11-B14.
Further information
If you have any questions about accessibility our Box Office team are always happy to help and can be contacted on 01642 525199 or by emailing [email protected] - you can also tell us about your access requirements when prompted to do so during the online booking process.
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BBFC rating information (may contain spoilers)
Violence
References are made to domestic abuse, including to physical violence, such as a man throwing plates and cutlery at a woman as well as hitting her.
Language
The film features strong language (‘f**k’) and uses of ‘slut’, ‘balls’, ‘shit’, ‘arse’, ‘Christ’ and ‘God’.
Sex
Footage from a 1970s film includes strong sex as a man and woman kiss each other’s bodies under the covers during a prolonged scene. There are also references to sex workers.
Discrimination
Verbal references are made to women of the 1960s experiencing and defying sexist behaviour and attitudes.
Drugs
Frequent references are made to real drug misuse and drug addiction. Verbal references are made to men and women taking heroin, LSD, cocaine, amphetamines and cannabis.
Suicide
There are potentially disturbing verbal references to a real suicide. The documentary also features a scene from THE DEER HUNTER in which a man shoots himself during a forced game of Russian Roulette.
Injury detail
Clips from a dated film feature brief bloody images.
Nudity
There are scenes which include breast nudity within a sexual context.
Theme
There are frequent references to child neglect, including to children being neglected whilst their parents are high on drugs. One man recalls being a child when a woman let him have a ‘bump’ of cocaine. There are also upsetting references to a baby dying from SIDS.
Alcohol and tobacco
Men and women are frequently shown smoking cigarettes in archive footage and photos.
