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Director 

Park Chan-wook

Cast

Tang Wei, Park Hae-il, Lee Jung-hyun, Go Kyung-pyo

What happens when an object of suspicion becomes a case of obsession?

Winner of Best Director at the 2022 Cannes Film Festival, Park Chan-wook (Oldboy, The Handmaiden) returns with a seductive romantic thriller that takes his renowned stylistic flair to dizzying new heights.

From a mountain peak in South Korea, a man plummets to his death. Did he jump, or was he pushed? When detective Hae-joon (Park Hae-il, The Host) arrives on the scene, he begins to suspect the dead man’s wife Seo-rae (Tang Wei, Lust, Caution) may know more than she initially lets on. But as he digs deeper into the investigation, Hae-joon finds himself trapped in a web of deception and desire, proving that the darkest mysteries lurk inside the human heart.

With nods toward classic Hollywood and Hitchcock’s Vertigo, Decision to Leave is an essential masterwork from the legendary Park Chan-wook, infused with elegance, ingenuity and a knife-edge precision that truly cannot be matched.

In Korean with English Subtitles.

  • BBFC Ratings Info (May Contain Spoilers)

    strong violence, crime scene detail, sex, domestic abuse

  • Seating Accessibility Information

    Cinema

    Seat size

    Seats in the Cinema are 45cm (172/3“) wide and 46cm (18“) deep, are 40cm (152/3“) from the floor, and have 12cm (42/3“) between seats.

    Armrests

    Seats in the Cinema have armrests that do not fold away, and cannot be completely removed.

    Legroom

    Seats in the cinema have 30cm (112/3”) of legroom in front of seats, with additional legroom on row A and seats B1-B4 and B11-B14.

    Further information

    If you have any questions about accessibility our Box Office team are always happy to help and can be contacted on 01642 525199 or by emailing [email protected] - you can also tell us about your access requirements when prompted to do so during the online booking process.

  • Information about screenings with subtitles

    Subtitled screenings offer captions which transcribe dialogue only. Subtitled screenings attempt to give D/deaf and hard-of-hearing viewers an understanding of the spoken dialogue within the film, but do not include description about other aspects of the soundtrack, including music and sound effects.