Dynamic Pricing
ARC’s policy is to set ticket prices based on demand, like budget airlines, which means we set a price when the event goes on sale and then sometimes put the price up or down depending on how the show is selling. Usually, the price will increase as we get closer to the event, so it is advantageous to book in advance, although sometimes we will put special offers on and reduce the price. Our website will always show the current ticket price.
ARC’s theatre and dance performances are priced on a Pay What You Decide basis, which means you don’t have to pay until after you have seen a show!
We want to encourage more people to come and see shows at ARC, more often. Pay What You Decide not only allows you to pay what you can afford, rather than a fixed ticket price, but also removes the financial risk of buying a ticket for a show in advance without knowing whether you are going to enjoy it or not.
Tickets are available to book in advance as usual, but there is no obligation for you to pay until after you have seen the show. You can then decide on a price which you think is suitable based on your experience, which means if you haven’t enjoyed it at all, you don’t have to pay anything.
All money collected will help ARC pay the artists who have performed, and we therefore hope you will give generously.
Please ensure you have arrived and collected your tickets 15 minutes before the show starts in order to secure your seats. At the end of the show, you can decide what to pay, either by cash on the door or by card at the Box Office.
The screenings on Sat 6 Apr at 2pm will have descriptive subtitles.
Please note: This work contains flashing images which may affect viewers who are susceptible to photosensitive epilepsy.
Written by Ethan Coen and Tricia Cooke, and Directed by Ethan Coen this comedy caper follows Jamie, an uninhibited free spirit bemoaning yet another breakup with a girlfriend, and her demure friend Marian who desperately needs to loosen up. In search of a fresh start, the two embark on an impromptu road trip to Tallahassee.
However, things quickly go awry when they cross paths with a group of inept criminals along the way.
Director: Ethan Coen
Cast: Margaret Qualley, Geraldine Viswanathan, Beanie Feldstein, Colman Domingo, Pedro Pascal, Bill Camp, Matt Damon
-
Information about screenings with descriptive subtitles
Descriptive subtitles, sometimes referred to as subtitles for D/deaf and hard-of-hearing people or captions, transcribe dialogue and relevant aspects of the soundtrack, including music and sound effects, attempting to give D/deaf and hard-of-hearing viewers an equal experience to those who are able to watch films without descriptive subtitles. Descriptive subtitles would include speech identifiers and descriptive elements such as [door slamming] and [kettle whistling].
-
Seating accessibility information
Cinema
Seat size
Seats in the Cinema are 45cm (172/3“) wide and 46cm (18“) deep, are 40cm (152/3“) from the floor, and have 12cm (42/3“) between seats.
Armrests
Seats in the Cinema have armrests that do not fold away, and cannot be completely removed.
Legroom
Seats in the cinema have 30cm (112/3”) of legroom in front of seats, with additional legroom on row A and seats B1-B4 and B11-B14.
Further information
If you have any questions about accessibility our Box Office team are always happy to help and can be contacted on 01642 525199 or by emailing [email protected] - you can also tell us about your access requirements when prompted to do so during the online booking process.
-
BBFC ratings information (may contain spoilers)
Violence
A man is stabbed twice on either side of the neck with a corkscrew in a scene accompanied by brief blood spurts. The man’s attacker subsequently gouges his victim’s eyes in a scene featuring limited detail. People are shot and beaten; however, these scenes lack bloody detail.Threat and horror
Men point guns at scared women. In one scene, a man intends shooting two women; however, his gun runs out of bullets.Language
The film contains infrequent very strong language (‘c**t’), strong language (‘f**k’, ‘motherf**ker’), and milder terms (for example, ‘slut’, ‘pussy’, ‘dick’, ‘shit’, ‘ass’, ‘balls’, ‘tits’, ‘God’, ‘hell’, ‘damn’).Sex
There are strong and crude verbal references to sexual activity, including to oral sex and mastrubation, and there are also several scenes which include sight of dildos. Scenes of sexual activity include cunnilingus and masturbation with a dildo. A woman appears to masturbate a man in order to take a plaster cast mould of his penis; however, this activity occurs below frame.Discrimination
A man says “I’m not a sissy-boy”, and there are reclaimed use of the term ‘dyke’. Discrimination and homophobia is not condoned by the work as a wholeDrugs
There is brief reference to marijuana use, and a woman refers to a “crackhead phone call”.Injury detail
Comic sight of a severed head lacks bloody detail. An injured man has a cut and bloodstained face.Nudity
Scenes of sexualised nudity include those in which a girl gazes at a fully naked woman, who is unaware that she is being observed. There is also breast nudity during sex scenes.Flashing/flickering lights
This work contains flashing images which may affect viewers who are susceptible to photosensitive epilepsy.