Dynamic Pricing
ARC’s policy is to set ticket prices based on demand, like budget airlines, which means we set a price when the event goes on sale and then sometimes put the price up or down depending on how the show is selling. Usually, the price will increase as we get closer to the event, so it is advantageous to book in advance, although sometimes we will put special offers on and reduce the price. Our website will always show the current ticket price.
ARC’s theatre and dance performances are priced on a Pay What You Decide basis, which means you don’t have to pay until after you have seen a show!
We want to encourage more people to come and see shows at ARC, more often. Pay What You Decide not only allows you to pay what you can afford, rather than a fixed ticket price, but also removes the financial risk of buying a ticket for a show in advance without knowing whether you are going to enjoy it or not.
Tickets are available to book in advance as usual, but there is no obligation for you to pay until after you have seen the show. You can then decide on a price which you think is suitable based on your experience, which means if you haven’t enjoyed it at all, you don’t have to pay anything.
All money collected will help ARC pay the artists who have performed, and we therefore hope you will give generously.
Please ensure you have arrived and collected your tickets 15 minutes before the show starts in order to secure your seats. At the end of the show, you can decide what to pay, either by cash on the door or by card at the Box Office.
Seating: Allocated - See Seating Plan for More Details
The screenings on Fri 23rd Sep at 7.30pm, Sat 24th Sep at 7.30pm, Wed 28 Sep at 2pm and Thu 29 Sep at 7.30pm will have descriptive subtitles.
Following the unexpected success of their debut album “No Hopers, Jokers and Rogues” we rejoin the world’s oldest ‘buoy band’ a year later struggling to navigate the pressures, pitfalls and temptations of their newfound fame. Fisherman’s Friends: One and All follows the celebrated shanty singers through the highs and lows as lifelong friendships are put to the test and they battle the dreaded ‘curse of the second album’.
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Seating Accessibility Information
Cinema
Seat size
Seats in the Cinema are 45cm (172/3“) wide and 46cm (18“) deep, are 40cm (152/3“) from the floor, and have 12cm (42/3“) between seats.
Armrests
Seats in the Cinema have armrests that do not fold away, and cannot be completely removed.
Legroom
Seats in the cinema have 30cm (112/3”) of legroom in front of seats, with additional legroom on row A and seats B1-B4 and B11-B14.
Further information
If you have any questions about accessibility our Box Office team are always happy to help and can be contacted on 01642 525199 or by emailing [email protected] - you can also tell us about your access requirements when prompted to do so during the online booking process.
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BBFC Ratings Info (May Contain Spoilers)
language
There is infrequent moderate bad language (‘prick’), as well as other terms such as ‘bastard’, ‘bugger’, ‘crap’, ‘shit’, ‘sod’, ‘balls’, ‘piss’, ‘bloody’, ‘ass’, ‘Christ’, ‘screw’, ‘pillock’, ‘God’ and ‘hell’.
sex
There are references to ‘shagging’, including a Welshman being called a ‘sheep-shagger’. One woman calls another a ‘slapper’. A woman sends a man an unsolicited picture of her cleavage. There is a reference to historical ‘orgies’ in a ‘den of debauchery’. There is regular mild innuendo.
There is mild threat and injury detail. There are mild references to drugs. Violence is very mild. There are references to alcoholism. A woman tells a man off for being sexist. There is comic buttock nudity.
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Information about screenings with descriptive subtitles
Descriptive subtitles, sometimes referred to as subtitles for D/deaf and hard-of-hearing people or captions, transcribe dialogue and relevant aspects of the soundtrack, including music and sound effects, attempting to give D/deaf and hard-of-hearing viewers an equal experience to those who are able to watch films without descriptive subtitles. Descriptive subtitles would include speech identifiers and descriptive elements such as [door slamming] and [kettle whistling].