Five Nights at Freddy’s (15)

This screening is in association with Beacon Films and will be a relaxed screening for autistic people, learning-disabled people, and/or those with access requirements. The screenings will have descriptive subtitles.

The terrifying horror game phenomenon becomes a blood-chilling cinematic event, as Blumhouse— the producer of M3GAN, The Black Phone and The Invisible Man— brings Five Nights at Freddy’s to the big screen.

The film follows Mike a troubled young man caring for his 10-year-old sister Abby, and haunted by the unsolved disappearance of his younger brother more than a decade before.

Recently fired and desperate for work so that he can keep custody of Abby, Mike agrees to take a position as a night security guard at an abandoned theme restaurant: Freddy Fazbear’s Pizzeria. But Mike soon discovers that nothing at Freddy’s is what it seems. With the aid of Vanessa, a local police officer, Mike’s nights at Freddy’s will lead him into unexplainable encounters with the supernatural and drag him into the black heart of an unspeakable nightmare.

The film also stars Mary Stuart Masterson, as Mike’s icy Aunt Jane; Kat Conner Sterling as Abby’s caring babysitter, Max; and Matthew Lillard as Steve Raglan, Mike’s smug career counselor.

Cast

Josh HutchersonElizabeth LailKat Conner Sterlingand Piper Rubiowith Mary Stuart Mastersonand Matthew Lillard

Directed by

Emma Tammi

• Relaxed screening for autistic people, learning disabled people, and/or those with access requirements

  The screening will have some adjustments to make it more comfortable for audiences who may be autistic, learning disabled and/or those with access requirements. Anyone is welcome to attend, so long as you are respectful towards audiences with a range of access requirements, including people who may need to make a bit of noise or movement during a film.

  During this relaxed screening:

  • There will be no ads or trailers
  • The lighting will be turned up a bit
  • The sound will be turned down a bit
  • There is a chill-out space available if you need to take a break
  • You are able to make noise or movement during the screening if you need to
  • The screening will not be full of people – there will be plenty of space in the cinema
  • There will be friendly staff or volunteers on hand to help with anything you might need
  • The film will be screened with captioned subtitles
• Screenings with descriptive subtitles

  Descriptive subtitles, sometimes referred to as subtitles for D/deaf and hard-of-hearing people or captions, transcribe dialogue and relevant aspects of the soundtrack, including music and sound effects, attempting to give D/deaf and hard-of-hearing viewers an equal experience to those who are able to watch films without descriptive subtitles. Descriptive subtitles would include speech identifiers and descriptive elements such as [door slamming] and [kettle whistling].

• Seating accessibility info

  Cinema

  Seat size

  Seats in the Cinema are 45cm (172/3“) wide and 46cm (18“) deep, are 40cm (152/3“) from the floor, and have 12cm (42/3“) between seats.

  Armrests

  Seats in the Cinema have armrests that do not fold away, and cannot be completely removed.

  Legroom

  Seats in the cinema have 30cm (112/3”) of legroom in front of seats, with additional legroom on row A and seats B1-B4 and B11-B14.

  Further information

  If you have any questions about accessibility our Box Office team are always happy to help and can be contacted on 01642 525199 or by emailing [email protected] - you can also tell us about your access requirements when prompted to do so during the online booking process.

• BBFC rating information (may contain spoilers)

  Violence

  Strong violence features stabbings, slashings with bladed instruments and an undetailed decapitation, resulting in bloody aftermath injury detail.

  Threat and horror

  There is sustained threat, some of which is of a supernatural nature. People are menaced by robotic machines designed in the form of animals and children who behave in a strange manner. There is an unsettling narrative theme of children being abducted and going missing, but this is presented mainly in verbal references or brief, undetailed flashbacks.

  Language

  There is mild bad language (‘ass’, ‘asshole’, ‘shit’, ‘screw you’, ‘frigging’, ‘freaking’), as well as very mild terms such as ‘jerk’ and ‘hell’.

  Theme

  There are references to mental illness which, in the case of a young child, is firmly dismissed as being a reason for her behaviour.

  Flashing/flickering lights

  This work contains flashing images which may affect viewers who are susceptible to photosensitive epilepsy.