ARC’s policy is to set ticket prices based on demand, like budget airlines, which means we set a price when the event goes on sale and then sometimes put the price up or down depending on how the show is selling. Usually, the price will increase as we get closer to the event, so it is advantageous to book in advance, although sometimes we will put special offers on and reduce the price. Our website will always show the current ticket price.
ARC’s theatre and dance performances are priced on a Pay What You Decide basis, which means you don’t have to pay until after you have seen a show!
We want to encourage more people to come and see shows at ARC, more often. Pay What You Decide not only allows you to pay what you can afford, rather than a fixed ticket price, but also removes the financial risk of buying a ticket for a show in advance without knowing whether you are going to enjoy it or not.
Tickets are available to book in advance as usual, but there is no obligation for you to pay until after you have seen the show. You can then decide on a price which you think is suitable based on your experience, which means if you haven’t enjoyed it at all, you don’t have to pay anything.
All money collected will help ARC pay the artists who have performed, and we therefore hope you will give generously.
Please ensure you have arrived and collected your tickets 15 minutes before the show starts in order to secure your seats. At the end of the show, you can decide what to pay, either by cash on the door or by card at the Box Office.
Daredevil archaeologist Indiana Jones races against time to retrieve a legendary dial that can change the course of history. Accompanied by his goddaughter, he soon finds himself squaring off against Jürgen Voller, a former Nazi who works for NASA.
The screenings on Sat 22 Jul at 2pm and 29 Jul 7.30pm will have descriptive subtitles. The screening on Thu 3 Aug at 2pm will have descriptive subtitles and is relaxed for people living with dementia.
Harrison Ford, Mads Mikkelsen, Phoebe Waller-Bridge, Antonio Banderas, Boyd Holbrook, Shaunette Renée Wilson, Toby Jones
BBFC Ratings Info (May Contain Spoilers)
There are gunfights which sometimes result in characters being shot dead, as well as occasional spearings. Hand-to-hand fighting includes punches, kicks, knees, shoves and strangling. There are scenes of sword-fighting and undetailed wartime violence which involves heavy gunfire and explosions.
Threat and horror
There are sequences in which characters escape precarious situations such as crashing vehicles, burning buildings and infested tunnels. There is gun and knife threat, with characters taken captive by villainous figures. Nazi soldiers attempt to execute a man by hanging him.
There is mild bad language (‘crap’, ‘bugger’, ‘piss’) along with milder terms such as ‘God’, ‘hell’, ‘damn’ and ‘Jesus’.
A villainous Nazi character displays racist attitudes when talking to a black man.
A dead body is bloody and burnt. There is occasional blood in the aftermath of gunshot wounds and other violence. Some scenes show dead bodies and centuries-old skeletons.
There are brief references to a man’s obsession having a damaging impact upon his mental health. Characters talk about grieving lost loved ones.
Alcohol and tobacco
People drink and smoke.
Seating Accessibility Information
Seats in the Cinema are 45cm (172/3“) wide and 46cm (18“) deep, are 40cm (152/3“) from the floor, and have 12cm (42/3“) between seats.
Seats in the Cinema have armrests that do not fold away, and cannot be completely removed.
Seats in the cinema have 30cm (112/3”) of legroom in front of seats, with additional legroom on row A and seats B1-B4 and B11-B14.
If you have any questions about accessibility our Box Office team are always happy to help and can be contacted on 01642 525199 or by emailing [email protected] - you can also tell us about your access requirements when prompted to do so during the online booking process.
Information about screenings with descriptive subtitles
Descriptive subtitles, sometimes referred to as subtitles for D/deaf and hard-of-hearing people or captions, transcribe dialogue and relevant aspects of the soundtrack, including music and sound effects, attempting to give D/deaf and hard-of-hearing viewers an equal experience to those who are able to watch films without descriptive subtitles. Descriptive subtitles would include speech identifiers and descriptive elements such as [door slamming] and [kettle whistling].