Dynamic Pricing
ARC’s policy is to set ticket prices based on demand, like budget airlines, which means we set a price when the event goes on sale and then sometimes put the price up or down depending on how the show is selling. Usually, the price will increase as we get closer to the event, so it is advantageous to book in advance, although sometimes we will put special offers on and reduce the price. Our website will always show the current ticket price.
ARC’s theatre and dance performances are priced on a Pay What You Decide basis, which means you don’t have to pay until after you have seen a show!
We want to encourage more people to come and see shows at ARC, more often. Pay What You Decide not only allows you to pay what you can afford, rather than a fixed ticket price, but also removes the financial risk of buying a ticket for a show in advance without knowing whether you are going to enjoy it or not.
Tickets are available to book in advance as usual, but there is no obligation for you to pay until after you have seen the show. You can then decide on a price which you think is suitable based on your experience, which means if you haven’t enjoyed it at all, you don’t have to pay anything.
All money collected will help ARC pay the artists who have performed, and we therefore hope you will give generously.
Please ensure you have arrived and collected your tickets 15 minutes before the show starts in order to secure your seats. At the end of the show, you can decide what to pay, either by cash on the door or by card at the Box Office.
Seating: Allocated - See Seating Plan for More Details
Director
Oliver Hermanus
Cast
Bill Nighy, Aimee Lou Wood, Tom Burke, Alex Sharpe
1953. A London shattered by WWII is still recovering. Williams (Bill Nighy), a veteran civil servant, is an important cog within the city’s bureaucracy as it struggles to rebuild. Buried under paperwork at the office, lonely at home, his life has long felt empty and meaningless.
Then a shattering medical diagnosis forces him to take stock – and to try and grasp fulfilment before it goes beyond reach. At a seaside resort, chaperoned by a local decadent (Tom Burke), he flirts with hedonism before rejecting it as his solution. Back in London he finds himself drawn to the natural vitality of Margaret (Aimee Lou Wood), a young woman who once worked under his supervision and is now determined to spread her wings.
Then one evening he is struck by a revelation – one as simple as it is profound – and with a new energy, and the help of Peter (Alex Sharp), an idealistic new recruit to his department, he sets about creating a legacy for the next generation.
The screenings on Saturday 3rd December at 2pm and Thursday 8th December at 7.30pm will have Descriptive Subtitles.
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Seating Accessibility Information
Cinema
Seat size
Seats in the Cinema are 45cm (172/3“) wide and 46cm (18“) deep, are 40cm (152/3“) from the floor, and have 12cm (42/3“) between seats.
Armrests
Seats in the Cinema have armrests that do not fold away, and cannot be completely removed.
Legroom
Seats in the cinema have 30cm (112/3”) of legroom in front of seats, with additional legroom on row A and seats B1-B4 and B11-B14.
Further information
If you have any questions about accessibility our Box Office team are always happy to help and can be contacted on 01642 525199 or by emailing [email protected] - you can also tell us about your access requirements when prompted to do so during the online booking process.
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BBFC Ratings Info (May Contain Spoilers)
sex
A stripper performs a routine with her back to camera, removing her bra to reveal only brief and very partial breast nudity. There are also infrequent mild sex references, such as a man describing his business as “smutty”.
Other
There are references to terminal cancer, including visual ones such as a man coughing up spots of blood into a handkerchief and grimacing in pain as he sits on a park bench. There are discreet references to the ideation of suicide. There are mild upsetting scenes. There is infrequent mild bad language (‘bugger’). There is smoking, which reflects the historical era in which the film is set.
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Information about screenings with descriptive subtitles
Descriptive subtitles, sometimes referred to as subtitles for D/deaf and hard-of-hearing people or captions, transcribe dialogue and relevant aspects of the soundtrack, including music and sound effects, attempting to give D/deaf and hard-of-hearing viewers an equal experience to those who are able to watch films without descriptive subtitles. Descriptive subtitles would include speech identifiers and descriptive elements such as [door slamming] and [kettle whistling].