Dynamic Pricing
ARC’s policy is to set ticket prices based on demand, like budget airlines, which means we set a price when the event goes on sale and then sometimes put the price up or down depending on how the show is selling. Usually, the price will increase as we get closer to the event, so it is advantageous to book in advance, although sometimes we will put special offers on and reduce the price. Our website will always show the current ticket price.
ARC’s theatre and dance performances are priced on a Pay What You Decide basis, which means you don’t have to pay until after you have seen a show!
We want to encourage more people to come and see shows at ARC, more often. Pay What You Decide not only allows you to pay what you can afford, rather than a fixed ticket price, but also removes the financial risk of buying a ticket for a show in advance without knowing whether you are going to enjoy it or not.
Tickets are available to book in advance as usual, but there is no obligation for you to pay until after you have seen the show. You can then decide on a price which you think is suitable based on your experience, which means if you haven’t enjoyed it at all, you don’t have to pay anything.
All money collected will help ARC pay the artists who have performed, and we therefore hope you will give generously.
Please ensure you have arrived and collected your tickets 15 minutes before the show starts in order to secure your seats. At the end of the show, you can decide what to pay, either by cash on the door or by card at the Box Office.
Seating: Allocated - See Seating Plan for More Details
A physically disabled man is on a mission to defy expectations and prove society is wrong about people like him. Bringing together a motley crew of friends, he decides to take on his biggest challenge yet: to trek to Everest Base Camp on horseback to prove his worth.
Yet as the reality of his world first trek hits, putting his body through incredible pain, he is forced to dive deeper into himself and question his original motivations. With the love and support of his partner, he is able to conquer Everest, and come back home with the confidence to question why he had to prove anyone wrong, let alone himself.
Still living with the pain of the mountain, he finds the self-worth he was always looking for, in his relationship with his partner, and their new family.
The screening on Wed 31 May will have descriptive subtitles.
Director
Carl Woods
Producers
Annika Ranin, Jasmin Morrison, Sandra Spethmann
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Seating Accessibility Information
Cinema
Seat size
Seats in the Cinema are 45cm (172/3“) wide and 46cm (18“) deep, are 40cm (152/3“) from the floor, and have 12cm (42/3“) between seats.
Armrests
Seats in the Cinema have armrests that do not fold away, and cannot be completely removed.
Legroom
Seats in the cinema have 30cm (112/3”) of legroom in front of seats, with additional legroom on row A and seats B1-B4 and B11-B14.
Further information
If you have any questions about accessibility our Box Office team are always happy to help and can be contacted on 01642 525199 or by emailing [email protected] - you can also tell us about your access requirements when prompted to do so during the online booking process.
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Information about screenings with descriptive subtitles
Descriptive subtitles, sometimes referred to as subtitles for D/deaf and hard-of-hearing people or captions, transcribe dialogue and relevant aspects of the soundtrack, including music and sound effects, attempting to give D/deaf and hard-of-hearing viewers an equal experience to those who are able to watch films without descriptive subtitles. Descriptive subtitles would include speech identifiers and descriptive elements such as [door slamming] and [kettle whistling].
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BBFC Ratings Info (May Contain Spoilers)
Language
There is infrequent use of strong language (‘f**k’), as well as a partially bleeped use of the term ‘motherf**ker’. Milder terms include ‘hell’.
Discrimination
There are references to ableism, including a reference to the discriminatory view that disabled people should be ‘put away’, as well as infrequent use of the terms ‘spaz’ and ‘cripple’ in reported speech. The film carries a positive anti-discrimination message.
Theme
A man with cerebral palsy is shown exhausted and in pain while attempting a difficult trek, while in another sequence his partner can be heard in a state of distress due to her concerns for his safety and wellbeing on the journey.