Dynamic Pricing
ARC’s policy is to set ticket prices based on demand, like budget airlines, which means we set a price when the event goes on sale and then sometimes put the price up or down depending on how the show is selling. Usually, the price will increase as we get closer to the event, so it is advantageous to book in advance, although sometimes we will put special offers on and reduce the price. Our website will always show the current ticket price.
ARC’s theatre and dance performances are priced on a Pay What You Decide basis, which means you don’t have to pay until after you have seen a show!
We want to encourage more people to come and see shows at ARC, more often. Pay What You Decide not only allows you to pay what you can afford, rather than a fixed ticket price, but also removes the financial risk of buying a ticket for a show in advance without knowing whether you are going to enjoy it or not.
Tickets are available to book in advance as usual, but there is no obligation for you to pay until after you have seen the show. You can then decide on a price which you think is suitable based on your experience, which means if you haven’t enjoyed it at all, you don’t have to pay anything.
All money collected will help ARC pay the artists who have performed, and we therefore hope you will give generously.
Please ensure you have arrived and collected your tickets 15 minutes before the show starts in order to secure your seats. At the end of the show, you can decide what to pay, either by cash on the door or by card at the Box Office.
In a secluded village in the Italian Alps, an unlikely brotherhood forms between two young boys: Pietro, a boy from the city, and Bruno, who has only ever known life in the mountains. Over the years Bruno remains faithful to his home while Pietro aspires to greater heights, but as decades pass and lives unfold, their paths ultimately lead them back to where they first met – and back to each other. Set against a truly magnificent Italian landscape, The Eight Mountains is a profoundly moving portrait of a lifelong friendship.
This film is in Italian with English subtitles.
Directors
Felix Van Groeningen, Charlotte Vandermeersch
Cast
Alessandro Borghi, Luca Marinelli, Filippo Timi, Elisabetta Mazzullo, Elena Lietti
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BBFC Ratings Info (May Contain Spoilers)
Violence
There is an undetailed verbal reference to domestic abuse when a man tells his friend that he ‘beat up’ his father who he describes as a ‘drunk’.
Threat and horror
In a scene of mild threat a boy suffers altitude sickness as he attempts to hike up a mountain. There is also a scene in which rescuers are lowered from a helicopter to search for a man after a blizzard.
Language
The film features infrequent strong language (‘f**k’) and uses of ‘shit’, ‘arsehole’, ‘bullshit’, ‘ass’, ‘damn’, ‘hell’ and ‘God’.
Sex
A man and woman kiss passionately and the man removes the woman’s cardigan, but there is no nudity or sexual detail.
Disturbing images
There is brief focus on a dead goat being butchered.
Rude humour
A young lad poses in front of a water fountain and comically pretends that he’s peeing.
Theme
There are are scenes of emotional upset and references to bereavement in relation to a man’s death.
Alcohol and tobacco
Characters are shown drinking alcohol and smoking cigarettes.
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Seating Accessibility Information
Cinema
Seat size
Seats in the Cinema are 45cm (172/3“) wide and 46cm (18“) deep, are 40cm (152/3“) from the floor, and have 12cm (42/3“) between seats.
Armrests
Seats in the Cinema have armrests that do not fold away, and cannot be completely removed.
Legroom
Seats in the cinema have 30cm (112/3”) of legroom in front of seats, with additional legroom on row A and seats B1-B4 and B11-B14.
Further information
If you have any questions about accessibility our Box Office team are always happy to help and can be contacted on 01642 525199 or by emailing [email protected] - you can also tell us about your access requirements when prompted to do so during the online booking process.
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Information about screenings with subtitles
Subtitled screenings offer captions which transcribe dialogue only. Subtitled screenings attempt to give D/deaf and hard-of-hearing viewers an understanding of the spoken dialogue within the film, but do not include description about other aspects of the soundtrack, including music and sound effects.